Saying goodbye to Tarlabasi
Tarlabasi is a hive of informal commerce, the streets alive, trade and toil and the struggle to survive in a city overwhelmed, carts with squeaky wheels pushed up and down the hills, hawkers crying and calling, the rag and bone man and the Sahlep seller, in the afternoons the itinerant musicians take a final slurp of tea and trudge to the bars of Taksim to work for tips. Mothers, wives and daughters deal with the never-ending washing, scrubbing carpets with a stream of soap suds heading to the gutter, wood constantly being chopped to feed the stove, an aged grandmother wields an axe, a teenager uses a stone to smash old furniture, scavenged fuel to heat decrepit tenement rooms.
In dingy basements illuminated by a single globe or a florescent tube, impoverished women from the parched plains of Hasakeh in Syria or the suburbs of Diyabakir, troubled places far from the sea. They scratch and clean mussels harvested from the Bosporus, squatting around colored plastic bowls they stuff them with rice and pass them on to be sold around the city, their fingers raw but their chatter bright.
Little is legal, many undocumented, most on the margins. Cleaning the streets and oiling the wheels of the Turkish sweatshop economy, universally despised and denigrated but always defiant, challenges met with humor and humility and spirit.
The streets are theater, social clubs and football pitches, living rooms and kitchens, wild weddings where Gypsies dance to music the bounces of the buildings and the bare-knuckle brawlers stagger shirtless and bloodied.
On street corners dealers hang and fires burn, the air musty with menace, in the early hours the hollow sound of gunshots, running footsteps and the scurry of cats and rats. Tarlabasi never sleeps, it just revolves around erratic shifts of sleeping, eating and schooling. Before the dawn light reflects off the corrugated fences the working girls will totter home in cheap stilettos.
At the end of the street the sound of jackhammers splitting concrete, the giant arms of cranes swing ominously to the sound of stressed metal, underpaid workmen clamber over the rubble. The army of progress is marching and the impoverished are paying.
The curtain is about to fall and a community will disperse, the shouts of “Hakan” from the housewives to the store owner will fall silent, no longer will the tormented grocer rush to fill the baskets lowered from windows only to be called back again and again for a forgotten bottle of milk or an onion.
Neighborhoods evolve, they are organic, they are not created by city planners, only dismantled, there is no conversation when only money talks.
Having lived in Tarlabasi over several years and in various streets my time now has come to and end.
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The Photographers back story blog is the irreverent ramblings of Middle East based photographer John Wreford Portfolio
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