Mindfulness & The Art of Slow Photography

Mindfulness and the art of Slow Photography

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A Turkish friend had been going into lucid detail of the true meaning of mindfulness, a term of modern trend that can often be treated with flippant discard or so I thought.

One version of the meaning according to Psychology Today is; “Mindfulness is the self-regulation of attention with an attitude of curiosityopenness, and acceptance” There are many definitions of this meditative practice that has its roots in Buddhism but this description in particular appealed to me,  another is “Mindfulness is the basic human ability to be fully present, aware of where we are and what we’re doing, and not overly reactive or overwhelmed by what’s going on around us”

Now  regular followers of my blog may have already determined I am not really a spiritual man,  neither am I one for hanging labels on my beliefs or philosophy, I do poach a little from here and there and no doubt that a thread of anarchism runs through it all but in the end I see things in shades of monochromatic pragmatism. So, it does seem somewhat contradictory of me to delve into the world of Zen. But I am also a contradictory fellow.

As my friend was explaining the concept to me, I realized that this was something I already practice but I know it as the non-philosophical term; Photography. Personally speaking, photography and the concept of Mindfulness are intrinsically intertwined, to be at the very least a competent photographer you must follow the basic principles of Mindfulness.

I have unknowingly touched on this in previous posts and it’s something I now want to explore further; Finding Order In The Chaos

A recent case in point.

The day had not been going well, frustration and anger had been slowing morphing into depression, I had decided a walk would do me good, I shouldered my camera gear with only half an idea of shooting a near by lake at sunset, I am not a landscape photographer but I enjoy the process and of course the walk.

Along a potholed lane out of the village, past a couple of scruffy mutts bleating and into open fields, the sun was still high and the heat induced sweat dribbling wherever it could, past sullen sunflower plants with their heads bowed in despair, the landscape was not spectacular; provincial, pastural, pleasant, the lake was hardly a lake, more a big pond, I’m not sure how you define either. I hiked the ridge above the lake and surveyed the scene from every angle, a gypsy and his cart toddled past and some fishermen were packing their kit and getting ready to leave. Soon I stood alone apart from a hawk of some sort, wings wide above the fields.

I predicted the final movements of the sun, where the shadows would fall, the only problem was that from every angle an electricity pylon spoiled my potential photograph, it was the wrong sort of energy that was blighting my bliss. There would be no pretty picture postcard lake at sunset shot and It didn’t matter, this was not a commission, I had no brief to fulfil.

I scrambled down the bank to the waters edge and startled basking frogs back into the sanctuary of the water, plopping one after the other in perfect time to my footsteps, at the far side of the lake I set my bag down and made myself comfortable in the long grass.

Its here that things began to come into focus, my view was limited to what was in close proximity, the only sound was nature, in the stillness the frogs regained their confidence and reappeared in the algae coated water, a stork settled and turtle edged along his perch, I was completely focused on my surroundings, the pattern of plants and the insects that went about their business without interruption, as the lake fell into shadow I felt inclined to head back to home, I have no idea how long I sat there, in those moments my mind was free, not empty but not cluttered with concern or toxicity. I made a couple of images and strode home as dusk passed into night.Untitled-1

The images were unimportant snapshots consigned to my hard-drive until now, the clarity though was enough to make a difficult decision a simple one.

I think we need to talk about Slow Photography more often and its relationship with Mindfulness and its potential as Art Therapy.

As a full time professional photographer, it is often hard to justify the time and trouble and inevitable expense to engage in non-profitable work, that is, unless you redefine the term profitable.

Thank you all for your continued support and buying me a coffee goes much further than you can possibly imagine Buy Me A Coffee

Thank you Marcus Marcus Peddle Photography & Poetry

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The Girl On The Ferry

The commuter crowd was pushing forward towards the gang plank to catch the six o’clock ferry to Kadikoy, shuffling a few steps at a time in the chill January air, it hadn’t started to rain yet but within the hour it would.

In the crowd just to my right and a few steps in front I caught sight of the girl’s profile, that kind of face in a crowd that draws your attention and your gaze lingers a moment longer than perhaps it should.

The photographer’s eye is always twitching, alert for incoming light, shape or form, a habit that never switches off and perhaps only other photographers understand.

I climb the steps to the upper deck and there she was again, the crowd and headed inside for the warmth but she sat alone with her thoughts, framed by the ambient glow, a canvas complete.JNW_0124

She didn’t seem to notice me make the picture, my discretion paramount, as a street photographer I don’t like to be sneaky, I don’t like to intrude, just to record the scene, there is always good reason and intention.

It was 6.03 pm on the 13th January 2010 and seconds later the scene had changed and the ferry was cutting through the Bosporus swell.

I was very leased with the resulting image, one of my favorite Istanbul street photographs, I am not one for clever captions so this was known simply as “The Girl on the Ferry”

Then serendipity strikes yet again, some nine years after the image was made and shared several times on my social media pages, The Girl on the Ferry sent me a message; Hey that’s me in the picture.

I read the message with trepidation, please don’t hate the picture I kept thinking, with a contented sigh of relief she loved the picture.67091979_368318880544834_4125586687927517184_n

Then in June almost a decade later we met in an Istanbul coffee shop where I presented her with the printed image, The Girl on the Ferry is Eda and she’s an artist.

See also Istanbul Street Photographer, A Social Media Story

Istanbul street photography now features heavily on my Instagram Feed

A massive thank you to my friends who have just bought me coffee via this brilliant idea Buy Me A Coffee

Bloggers who are amazing-Thank you:

Tracy Abell    The Moments Between   Rutakintome Pictures

The Brothers Kalaycioglu

 

Erol Kalaycioglu with a Mardin Kermance
Erol Kalaycioglu with a Mardin kermance

Erol and Erdem Kalaycioglu work in a tiny split level workshop in the impoverished Tarlabasi neighborhood, the gentrification process of the city is now at their doorstep, the building next door now disappeared and the ugly sounds of construction drowning out the genteel sounds of craftsmen at work, Erol hobbles around making tea while Erdem works a lathe, they specialize in the baglama and Mardin kemence, with three strings and distinctive round bowl known in the Arab world as the rehbab, the neighborhood is home to many musicians that ply their trade around the mayhanes and bars of Takism and the brothers do a good trade in repairs.

A potential customer in Erol Kalaycioglu's Tarlabasi workshop
A potential customer in Erol Kalaycioglu’s Tarlabasi workshop

A customer enquires after a baglama, the price is accepted without negotiation and a credit card is produced, unable to deal with the transaction themselves they rely on a neighbor who can but sadly the card is declined and the customer leaves empty handed, Erol slurps his tea clearly disappointed.

As the urban regeneration inches closer the brothers Atelier is facing an uncertain future, almost half a century of artistry and tradition will no doubt be pushed into the suburbs and slip by wayside, in a world of shopping malls and hipster coffee joints it’s a battle few are left to fight.

To read the full article Notes In The Margin visit Halcyon Magazine

More travel words and photography from Turkey Hasankeyf; The soon to be lost city in Anatolia

If you are feeling social please drop by and say hello on Facebook where I also post more Street Photography images.

 

A funny thing happened to me on the way to the Nabatean Place of High Sacrifice

A funny thing happened to me on the way to the Nabatean Place of High Sacrifice, stop me if you’ve heard this one, it’s a delicate tale and one I can’t help but share.

My journey to the beautiful caravan city of Petra sandwiched between the seas Red and Dead had started in the other great caravan city of Damascus, much of this excursion has already been related in the pages:

Damascus the Beginning of the End (pt2) And In Search of The Pharaohs Penis

So here I am, slurping tea with a Bedouin women named Basma, she offered me another but I respectfully declined, it was already my third, I need to get up to the place of high sacrifice before closing time I explained, she  looked disappointed, an excuse she had clearly heard before,  what I mean before closing time it was my last day and the sun was going down, am pretty sure the business of sacrifice is quite flexible but the golden glow of the suns dying rays would not wait, and, as is always the case with places of high sacrifice it was located on the top of a mountain, I thanked Basma as she stoked her fire and strode off along the Wadi.

I followed the rock cut sandstone steps along an escarpment as it weaved around the base of the mountain, I picked up the pace taking long strides, every so often looking over my shoulder at the view and diminishing sun, it wasn’t steep and had I not been racing would have made a pleasant walk, I passed a few people heading down but pretty much it seemed the mountain was mine.

Hot and sweaty I reached the summit; a pair of pert obelisks were perched on the plateau a testament to long past craftsmanship and worship, curiously it would be much later I would learn of the deities being tributes to the Gods of both strength but also water and fertility, how one may go about paying tribute to those Gods I was soon to learn.

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                                                             Nabatean deities

 

I pranced around the ancient alter for a while enjoying the solitude, then just as I was scrambling down from another somewhat perilous vantage point an old Bedouin woman appeared and offered me tea, as interesting as sacrificial ceremony maybe I much prefer a cuppa and a chat.

A blackened pot was sitting on a pile of flaming kindling, the tea was rancid and I drank while keeping an eye out for chance to tip it away, my host was perhaps not as old as I first thought, her face weather worn, she was a widow she told me and lived in a village the other side of the wadi, she rolled a cigarette and puffed happily, I asked what it was she was smoking but my Arabic was not efficient enough to identify the herbs which she told me she picked on the mountain, I took some pictures and she played me a tune on a metal flute, so far, in my world that is, all quite normal.

The sun was almost finished for the day and my genial host suggested she show me the quick way down the mountain, we kicked dust over the embers of the fire and set off, after no more than a few meters she told me to wait, she stressed I should wait where I was and she dashed behind some bushes, Juniper probably, she reappeared seconds later smoothing down her dress, no explanations necessary I thought and we moved on.

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Leading me down the mountain

Wait, wait she said again, we had only been walking a few minutes, she ducked behind a bush but hardly out of my peripheral vision, I looked skyward to be sure as she dealt with the clearly urgent need, we continued, the route now becoming trickier, clambering over rocks and sliding down clefts in the mountainside, nimble as a goat she hopped and danced from rock to rock, I fumbled and dithered and did my best to keep up, once again she pulled up sharply and this time didn’t bother with modesty and just dropped to her haunches and peed freely, And I do mean freely, not since a mad Friday night in Piccadilly had I seen such wantonness, this is the Middle East and whilst many are hardly religious issues of modesty are rigorous, I was both bemused and amused, we continued, our pace was almost frantic, she deftly dealing with the terrain but me struggling to keep up, she had edged away from me and as I cupped my camera and slid down a gulley she was waiting for me, squatting, dress hitched up and in full flow, how, I marveled, could she produce such quantity, and, I admit, for a few brief seconds I couldn’t help myself but marvel, I mean, what the… she shot me a look, this time I had not looked away and felt for a moment as though I had been caught red handed, she just said yallah and we carried on our way, as if nothing had happened, this was the last time she performed, since that what it seemed to be, the image though is hard to shake off and one that no doubt al-Uzza, Nabatean God of water and fertility would approve, she did though have one more thing to show me.

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A quiet Cave

She took my hand and lead me then into a cave hidden behind some overhanging greenery, I felt pretty sure that if things turned nasty I could handle the old girl, inside the cave she stepped away from me, she looked directly into my eyes, oh God I thought, how is my British politeness going to get me out of this, after an uncomfortable pause that may have lasted several seconds she pointed to the paintings etched into the wall, faded pastel shades of prehistoric art, was there an image of a snake, I wasn’t paying attention, lovely I declared and we exited the cave.

Not enough is written of the risks to white men traveling alone in the Middle East and I have enough stories to fill a book, My Gay Adventures in the Middle East has long been a working title, do feel free to encourage me.

Back in Wadi Farasa we said our goodbyes,  just a few words and formal as you’d expect, I really do not know what just happened are probably the only words going through my mind, I slipped her a few diners for the tea anyway.

Please do visit my website, most of the images are available to purchase as prints:

John Wreford Travel Photography

In Search of The Pharaohs Penis

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Like all boys own adventures it has to start with a map, though in this case not a crumpled piece sepia parchment rolled up and tied with a ribbon, no, this was a modern day adventure and by that I don’t mean the map was provided by Google and illuminated on an ipad either, the map was meticulously marked out using the condiments on the table of the Crown Plaza hotel in the Jordanian capital Amman.

A few weeks before Christmas and the hotel lobby was forest of red and silver tinsel, the rain was pouring outside and with Jingle Bells on a loop it seemed more like a Croydon Arndale centre than the Middle East, a stones through from the Holy land, I was sitting with Matthew Teller, a modern day adventurer himself and as it happened author of the Rough Guide to Jordan, he had just returned from the Nabatean kingdom of Petra and had trekked far from the madding crowd and was now passing on his advice; and here he said pushing the tall silver salt cellar to just between the coffee cups is the Zib Faroun, you are kidding I chuckled, the Pharaohs Penis I said translating the Arabic into English, this I wanted to see, we went over the map again and when I thought I had it clear in my mind the waitress cleared it all away, should you need any help Matthew said call this guy, a Bedouin, he lives in a cave near snake monument, I scribbled the number in my note book and we headed back into the pouring rain.

Perhaps not exactly the Holy Grail but a quest it was; two hundred years and four months after the Swiss explorer Johann Ludwig Burckhardt rediscovered the rose-red city I set out through the Bab as Siq (Gate of the Siq) in search of the Pharaohs Penis and other lesser known angles on one of the worlds most iconic treasures.

Petra is vast; most visitors it seems don’t get much further than the iconic façade of the Treasury but venture beyond, sit and talk with the Bedouin, climb the mountains and follow the antique trails deep into the rocky landscape and seek adventure.

Have you seen the Pharaoh’s penis I asked and old Bedouin selling trinkets in cave just below the tomb of a Roman governor named poetically Sextius Florentinus, indeed he had the old Bedouin replied then quickly produced what amounted to a Roman dirty postcard, a clay medallion depicting a scene graphic enough to demand parental guidance, I declined the purchase, the Zib Faroun I asked again, oh its far he said and pointed across the wadi, I clambered down the rocky steps and headed out into the desert and there on the dusty trail leading to Snake Monument was the lone column, it wasn’t as far as the old Bedouin had implied, and, well not that impressive either, just a way marker in Jordan’s extraordinarily long history but as they say its not the destination but the quest that’s important.