Siwa, City of Sand

Maher shuffled his way into the coffee-shop sneezing, coughing and complaining, his flip-flops hardly lifting from the dusty floor as he moved, I’m sick he announced to the waiter who didn’t look away from the TV, he sneezed again to prove his point. In Egypt the cure for the common cold is Helba a herbal yellow tea made from fenugreek seeds; Doctors will prescribe Helba for almost any ailment from flu to a twisted ankle. Maher though ordered his usual shisha pipe, hitched up his Gallabiyah and plonked himself on a chair in the corner, sucked on his pipe and coughed some more.

Outside the street is drowning in clouds of dust and sand stirred up by the haphazard traffic, mostly motorbikes, some with three wheels some with two, some with two passengers and some with three and other infinite combinations. A group of lads sitting playing backgammon at the entrance to the cafe oblivious to the swirling Saharan smog, a shop keeper on the other side of the street squirts water from a bottle in a futile attempt at controlling it.

Inside the café every surface is coated in the grainy dust, the waiter understands the futility of wasting his time, when the Khamseen blows the desert comes to town and paints everything beige, welcome to Siwa says the waiter when he puts down my coffee on the dusty table.

Siwa an island adrift in the Great Sand Sea between Western Egypt and Eastern Libya, an oasis of palm trees watered by underground springs, of crumbling mud brick houses populated by Berber Nomads, a place of more legends than tourists, where spring swirls with the Khamseen wind.

Egypt has had a turbulent time over the past few years but consensus has it that things have settled now, increased stability has seen a steady return of tourists with forecasts set to increase, But Siwa is a long way from the sandy beaches of the Red Sea and the Pyramids of Giza, it has never been high on the itinerary of the charter crowds that fill coaches and head from Cairo along the Nile to Luxor, Siwa takes a little more effort to reach.

Alexander the Great set out from Memphis, the ancient Egyptian capital, driven by the need to prove his divinity and seek approval from the Oracle of Amun, the desert crossing as harsh now as it was then, with routes obscured by the ever-drifting sands he followed a flock of crows to the oasis, at the Temple of Amun his status as a God on Earth was confirmed and the young Macedonian King went on to make his historical mark. These days it’s much easier to just take the train to Alexandria and then a bus as the crow flies into the desert, it’s a bumpy ride with numerous military check-points, the errant Bedouin tribes having little respect for the border with Libya about 30 miles away.

It’s a rickety cycle ride along a dusty track to the temple ruins, past groves of palm trees dusted dull from the surrounding sands, ageing Siwians sitting on their doorsteps gossiping. Somehow it seems unlikely Cleopatra passed this way and even less likely on a bicycle but a pool fed with natural spring water takes her name, in the past brides would bathe here prior to their wedding but these days it’s more a spot to wash the sand off, sip a juice and watch the local lads dip and dive.

It was 323 years before the birth of Christ that Alexander entered the temple and time has taken its inevitable toll on the complex, but by climbing the path you follow in the footsteps of the Pharaohs and from the crumbling ramparts you can see the extent of the palm groves and beyond the shimmer of a vast salt lake.

 The distant Nile is the thread that weaves life into Egypt; the land is parched beyond its fertile banks except for the seven oases where underground aquifers feed the date palms. The dates of Siwa are the best in the world, at least according to a grinning Mustafa, who was trying to sell me a half a kilo from his shack in the shadow of Shali fortress. The verdant gardens have always proved a reliable provider; tourism is an intermittent side show.

I washed the dust from Mustafa’s dates and munched on them as I followed the path through the decrepit ruins to the former fortress that dominates the town, an impenetrable citadel that stood for 13 centuries until 1923 when several days of flash floods took its toll,  the houses had been built from Kershef, a muddy mixture of clay and salt and now most of the houses are just mustard colored skeletons, home to donkeys and huddled sheep,  although now investment and restoration is seeing a slow transformation with a boutique hotel or two and inevitably a handful of  Airbnb’s.

As the sun sinks the call to prayer rises, a crackle and cough from a thousand-year-old minaret, remarkably intact and looking not unlike a potteries chimney, shadowy figures scuttle up the steps to the dun colored Mosque.  

Siwians are easy going and independently minded, conservative and polite, the language is Siwian first and Arabic second, the culture is Berber Bedouin, they see themselves as a world apart from the rest of Egypt. Siwa is cloaked in a sandy otherworldliness.

Over breakfast of mashed fava beans and yogurt at Abdo’s restaurant I negotiated with Abdul Rahman to chauffeur me a little further than the bone shaker bicycle could manage, Abdul Rahman assured me of the upmost comfort, no distance too far, salt lakes and sand seas guaranteed.

Thirty minutes later I was being thrown violently from side to side in the back of a motorcycle tuk-tuk, Abdul Rahman glancing over his shoulder every so often to check if I was still aboard, the engine noise limiting our communication to a series of emojis, me thumbs-up and him a smiley face.

The Sahara surrounding Siwa is remarkably wet, despite its status as an oasis it does come as a surprise to see so much water, expansive saline lakes and numerous hot and cold springs all offering respite and rejuvenation and adding to the unique character of this remote Egyptian outpost.

The road out of town is flanked by mountains peppered with tombs cut into the limestone rock, grave robbers long gone, on the walls only intricate inscriptions detailing the importance of life and afterlife remain. And an earie quiet.

The tuk-tuk has overheated, Abdul Rahman had pushed it too far and was now fiddling with the tormented engine, the sand drifted silently across the tarmac, I kicked at the bleached bones of another victim an unforgiving landscape, a couple of local Bedouin from a settlement close by wandered over to offer advice and offer refreshments.

The Bedouin seemed amused at my choice of transport, a shiny 4×4 was parked at the entrance to a cluster of yellow painted buildings in the shade of several palm trees, Bedouin culture is more settled these days. With the tuk-tuk fixed our new friends invited us for tea, we loaded up with supplies and headed off in convoy along a dusty camel track to the edge of a salt heavy lake, as the sun faded we kindled a fire and cooked more tea, selfies were made and conversation revolved around our hosts cross-border drug smuggling business, the border with Libya a few shifting dunes away.

The desert can be unforgiving, vast and unknown, it can also be serene, poetic in its shapes and hues, and it can also be therapeutic, not just in mind but also in body. The desert bathing season starts once the sand is at its hottest, taking a Siwa sand sauna involves being buried up to the neck and left to roast in the hope of curing everything from rheumatism to impotence.

We said goodbye to our new friends, promising to keep in-touch regarding some potential business opportunities and struggled through the darkness back to town.

Next morning in the coffee-shop Maher was puffing on his pipe, the water gurgling in its bowl, a glint of sunlight picking out the particles of Sahara in the air, the TV was switched off and outside the traffic was still quiet, I ordered coffee and waited for Abdul Rahman to take me to the bus station, apart from Maher’s occasional cough we sat in silence, inside the café the dust was settling but outside the sands were shifting.

Maher

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Welcome to Vulture Town

A kettle of vulture’s circle high in the sky, with wings wide and necks outstretched to surf the summer thermal draft. In the valley below the Arda river loops and doubles back on its self, a naked man basks on the shingle beach. A kilometre beyond sits the town, sitting dead centre in the crater of a flaccid volcano, the town is empty, its population dwindling since the gold mine closed leaving behind tumbleweed pensioners. This description is beginning to sound bleak but this is the eastern Rhodope Mountains in Bulgaria and nothing is ever as it seems.

Steeped in history and shrouded in mystery the forested peaks of the Rhodope cover around 12,000 km’s of Bulgaria on the Balkan peninsular, the town of Madzharovo a stone’s throw from the border with Greece.

It’s the land of Orpheus and serpents and dancing trees, and where the landscape has been carved by dragons.

With its population now hovering at around 500 its gold rush days are long gone, during the communist times when the mine was open the town was flush with cash, in the now shuttered and somewhat forlorn looking Sky Club Bar they would come from miles around just to rub shoulders with the wealthy miners, their salaries five times that of the locals, in fact they couldn’t get rid of it says Veselina who used to work behind the bar back in the day, with nothing but Rakia and beer to spend it on, they would roll up wads of Leva to prop up wobbly table legs she laughed.  And is there still gold in dem hills? Oh yes she says assuredly and the prospectors still come and sift and silt along the seams, ever hopeful of what the ancient Thracian tribes had thrived on.

Just outside town on a forested bluff beside the river is the Vulture Visitor Centre, bustling with volunteers twitching with anticipation at the imminent arrival of a couple of chicks from Prague, that is to say, a pair of Egyptian vulture fledglings from Prague zoo.

The magnificent Egyptian vulture was once a common sight above the peaks of the Balkan peninsular but is now globally under threat. Needless to say increased urbanization, exploitative agricultural practice and poaching have all contributed their steady decline. But somewhat surprisingly the tables may be turning and it seems the human population in Bulgaria is now in decline and the vultures are having something of a renaissance.

Marrin, the ruddy faced center manager swigs from his cold can of Kamenitza beer and tries to explain the state of the local food chain;

 It’s all to do with the cows he says;

 Cows? I question and pull the ring on my beer.

 Da, they are wild and rare.

Rare wild cows I ponder as Marrin sups on his beer as though he has explained everything.

Marrin detecting I am a bit slow on the up-take goes into further detail;

The Rhodope short horn cow is one of the last remaining indigenous cattle still surviving in Bulgaria, one of the last of the European prehistoric breeds; numbers had fallen to a few hundred. Predatory wolves being the chief culprits so the local farmers would use poison to combat the wolves, not only the cows and wolves would fall victim but the vultures feeding on poisoned carrion set out for the wolves would also get caught up in the rural carnage.

Wild cows, wolves, vultures. I shifted uneasily in my seat and eyed the surrounding forest with suspicion.

With help from the Bulgarian Bird Society and funds from the European Union a truce between the wolves and farmers has been holding long enough to reverse the decline, the successful preservation and protection of raptors such as the Griffin and Egyptian Vulture is just part of the re-wilding of Europe that has also witnessed the re-introduction of Bison to Bulgaria, missing for centuries.

The chicks from Prague have arrived and after having electronic tags attached by the BBS team they will be settled into a hack perched on the side of the mountain in preparation for life in the wild.

A task not for the faint of heart that will involve the scaling of a Rhodope peak with the birds carried in crates strapped to the backs of intrepid Sherpa-esq team members. Scrabbling over scree and hauling along rope pulleys, with the river diminishing in size and the vistas growing grander, it’s a long way down.

The absolute dedication and commitment to the cause could not be more evident as one of the BBS experts laden with a heavy wooden crate abseils from the summit and places the juvenile Vulture in the hack.

As the summer heat subsides and autumn approaches the migration will begin, a not unfamiliar story; from the barbed wire  boundaries of Europe, across Anatolia into the Middle East and Africa, a journey in search of resource, safety and security, a journey fraught with risk, a journey of hope and the struggle to survive.

Madzharovo has turned its back on its industrial past and is rebranding itself; the giant murals painted on the side of communist housing blocks are testament to a proud new vision.

And what of the naked man sunning himself on the banks of the Arda I hear you ask? He, much like the near-by town is returning to nature.

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Abandoned in Idlib

Atmeh camp clings to the side of a hill on the edge of the Syrian-Turkish border. Colored plastic bags flap like flags trapped in the rolls of razor wire that separate the two countries. Turkish soldiers watch from a guard post on the hill above. And just to be clear, Atmeh camp is on the Syrian side of the border, part of Idlib province now under the control of the opposition.

Atmeh Refugee Camp, Idlib, Syria. June 17th 2013. Internally displaced child Syrian refugees in the Atmeh refugee camp, Idlib province Syria

As we enter the camp the scene is messy and chaotic. Water carriers and foam mattresses are being unloaded from a couple of small trucks, an ambulance screams past on its way to a Turkish hospital with a newborn child. A moment of panic and everyone scuttles for cover as a Syrian warplane is spotted in the distance, a truck mounted Doshka swivels and scans the sky, the danger passes and people re-emerge, a black plume of smoke rises from across the valley.
As first impressions go, Atmeh does not feel like a place of refuge. More than twenty thousand Syrians are living here, the largest camp for the internally displaced in Syria, the decision to come would not have been taken lightly, driven by fear and desperation and with nowhere else to go.

One after the other, thousands upon thousands of tents spread amongst the olive groves. The soil is rich and red and for a moment looks almost picturesque; the olive branch is a symbol of abundance, glory and peace but so far it has only provided a little shade from an unremitting sun. Drinking water is delivered by tanker, it’s not always enough, there is no electricity and the candles often cause fires and more heartache, many of the children seem to have coughs and colds.

Atmeh Refugee Camp, Idlib, Syria. June 17th 2013. Internally displaced Syrian refugees in the Atmeh refugee camp, Idlib province Syria

Fetid streams of sewage run down the hill as bare footed toddlers play, women do battle with the dust that permeates every pore and try to keep the inside of their tents as clean and tidy as the living rooms they left behind, desperate but still dignified. The men though are few and far between.

It’s June and already the heat is fierce, still it will get hotter and then another winter will come and with it the rain, the red earth will turn to rivers of mud and mix with the shit that doesn’t drain away.
With its much needed wealth of experience in dealing with awful situations like this the United Nations Refugee agency and World Food Program are unable to work here without the cooperation of the Syrian government, protocol preventing humanitarian assistance. The only help being provided comes from a small group of Syrian NGO’s based inside Turkey and a handful of Syrian expat charities. I came with the Camp Zeitouna Project charged with bringing some entertainment for the children, building a playground and football pitch, helping with education and holding creative workshops, a small distraction from a life of continuous struggle in a war that doesn’t discriminate against the innocent.

The children are not backward in coming forward, swarming around us asking for photographs to be taken, posing with gap toothed smiles and victory signs, holding our hands as though lifelong friends or long-lost uncles, till now the only fun had been provided by whatever could be put to use, an old bicycle inner tube or a plastic bag tied to a piece of string, popping the caps of water bottles. They have already been labeled Syria’s lost generation and are happy to feel as though they’ve not been forgotten, but we only have the power of distraction – those with real power cannot even overcome issues of protocol.
A little girl takes my hand, I ask her name, Mariam she says with a cheeky smile, a bob of blonde hair and eyes as blue as the not too distant Mediterranean. Where are you from Mariam I ask, Haas, she tells me. Do I know Haas she asks, I tell her I don’t but wish I did, she asks me my name and I tell her, I tell her I am English and that until very recently I lived in Damascus. Does she know Damascus, I ask, she doesn’t, Hass is a long way from Damascus we both agree.

A day later driving through the Idlib countryside we pass through the small town of Haas. It’s almost deserted, bullet riddled, bombed and buckled, this is the Syria we are familiar with now, war torn and devastated. I think of Mariam and her family, in which street did they live, which house. It would have been a typical Syrian town, I imagine her and her friends heading off to school with their pink backpacks. I can’t really imagine what Mariam has already had to endure, living in a muddy field surviving on hand-outs is the best the world has to offer her just now, the crisis in Syria is complicated we are often reminded and protocol has to be followed.

‘There are 6.2 million people, including 2.5 million children, displaced within Syria, the biggest internally displaced population in the World. The pace of displacement remains relentless. Well over 1.8 million people have been displaced in 2017, many for the second or third time’ UNHCR.

I wrote and published this back in 2013 but have decided to re-post since little has changed other than the recent arrival of COVID-19 to add insult to numerous injuries.

For further reading I have compiled a list of 14 great books on Syria ;

https://johnwreford.wordpress.com/2020/04/02/syrian-literary-list/

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Mindfulness & The Art of Slow Photography

Mindfulness and the art of Slow Photography

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A Turkish friend had been going into lucid detail of the true meaning of mindfulness, a term of modern trend that can often be treated with flippant discard or so I thought.

One version of the meaning according to Psychology Today is; “Mindfulness is the self-regulation of attention with an attitude of curiosityopenness, and acceptance” There are many definitions of this meditative practice that has its roots in Buddhism but this description in particular appealed to me,  another is “Mindfulness is the basic human ability to be fully present, aware of where we are and what we’re doing, and not overly reactive or overwhelmed by what’s going on around us”

Now  regular followers of my blog may have already determined I am not really a spiritual man,  neither am I one for hanging labels on my beliefs or philosophy, I do poach a little from here and there and no doubt that a thread of anarchism runs through it all but in the end I see things in shades of monochromatic pragmatism. So, it does seem somewhat contradictory of me to delve into the world of Zen. But I am also a contradictory fellow.

As my friend was explaining the concept to me, I realized that this was something I already practice but I know it as the non-philosophical term; Photography. Personally speaking, photography and the concept of Mindfulness are intrinsically intertwined, to be at the very least a competent photographer you must follow the basic principles of Mindfulness.

I have unknowingly touched on this in previous posts and it’s something I now want to explore further; Finding Order In The Chaos

A recent case in point.

The day had not been going well, frustration and anger had been slowing morphing into depression, I had decided a walk would do me good, I shouldered my camera gear with only half an idea of shooting a near by lake at sunset, I am not a landscape photographer but I enjoy the process and of course the walk.

Along a potholed lane out of the village, past a couple of scruffy mutts bleating and into open fields, the sun was still high and the heat induced sweat dribbling wherever it could, past sullen sunflower plants with their heads bowed in despair, the landscape was not spectacular; provincial, pastural, pleasant, the lake was hardly a lake, more a big pond, I’m not sure how you define either. I hiked the ridge above the lake and surveyed the scene from every angle, a gypsy and his cart toddled past and some fishermen were packing their kit and getting ready to leave. Soon I stood alone apart from a hawk of some sort, wings wide above the fields.

I predicted the final movements of the sun, where the shadows would fall, the only problem was that from every angle an electricity pylon spoiled my potential photograph, it was the wrong sort of energy that was blighting my bliss. There would be no pretty picture postcard lake at sunset shot and It didn’t matter, this was not a commission, I had no brief to fulfil.

I scrambled down the bank to the waters edge and startled basking frogs back into the sanctuary of the water, plopping one after the other in perfect time to my footsteps, at the far side of the lake I set my bag down and made myself comfortable in the long grass.

Its here that things began to come into focus, my view was limited to what was in close proximity, the only sound was nature, in the stillness the frogs regained their confidence and reappeared in the algae coated water, a stork settled and turtle edged along his perch, I was completely focused on my surroundings, the pattern of plants and the insects that went about their business without interruption, as the lake fell into shadow I felt inclined to head back to home, I have no idea how long I sat there, in those moments my mind was free, not empty but not cluttered with concern or toxicity. I made a couple of images and strode home as dusk passed into night.Untitled-1

The images were unimportant snapshots consigned to my hard-drive until now, the clarity though was enough to make a difficult decision a simple one.

I think we need to talk about Slow Photography more often and its relationship with Mindfulness and its potential as Art Therapy.

As a full time professional photographer, it is often hard to justify the time and trouble and inevitable expense to engage in non-profitable work, that is, unless you redefine the term profitable.

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The Girl On The Ferry

The commuter crowd was pushing forward towards the gang plank to catch the six o’clock ferry to Kadikoy, shuffling a few steps at a time in the chill January air, it hadn’t started to rain yet but within the hour it would.

In the crowd just to my right and a few steps in front I caught sight of the girl’s profile, that kind of face in a crowd that draws your attention and your gaze lingers a moment longer than perhaps it should.

The photographer’s eye is always twitching, alert for incoming light, shape or form, a habit that never switches off and perhaps only other photographers understand.

I climb the steps to the upper deck and there she was again, the crowd and headed inside for the warmth but she sat alone with her thoughts, framed by the ambient glow, a canvas complete.JNW_0124

She didn’t seem to notice me make the picture, my discretion paramount, as a street photographer I don’t like to be sneaky, I don’t like to intrude, just to record the scene, there is always good reason and intention.

It was 6.03 pm on the 13th January 2010 and seconds later the scene had changed and the ferry was cutting through the Bosporus swell.

I was very leased with the resulting image, one of my favorite Istanbul street photographs, I am not one for clever captions so this was known simply as “The Girl on the Ferry”

Then serendipity strikes yet again, some nine years after the image was made and shared several times on my social media pages, The Girl on the Ferry sent me a message; Hey that’s me in the picture.

I read the message with trepidation, please don’t hate the picture I kept thinking, with a contented sigh of relief she loved the picture.67091979_368318880544834_4125586687927517184_n

Then in June almost a decade later we met in an Istanbul coffee shop where I presented her with the printed image, The Girl on the Ferry is Eda and she’s an artist.

See also Istanbul Street Photographer, A Social Media Story

Istanbul street photography now features heavily on my Instagram Feed

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Bloggers who are amazing-Thank you:

Tracy Abell    The Moments Between   Rutakintome Pictures

The Brothers Kalaycioglu

 

Erol Kalaycioglu with a Mardin Kermance
Erol Kalaycioglu with a Mardin kermance

Erol and Erdem Kalaycioglu work in a tiny split level workshop in the impoverished Tarlabasi neighborhood, the gentrification process of the city is now at their doorstep, the building next door now disappeared and the ugly sounds of construction drowning out the genteel sounds of craftsmen at work, Erol hobbles around making tea while Erdem works a lathe, they specialize in the baglama and Mardin kemence, with three strings and distinctive round bowl known in the Arab world as the rehbab, the neighborhood is home to many musicians that ply their trade around the mayhanes and bars of Takism and the brothers do a good trade in repairs.

A potential customer in Erol Kalaycioglu's Tarlabasi workshop
A potential customer in Erol Kalaycioglu’s Tarlabasi workshop

A customer enquires after a baglama, the price is accepted without negotiation and a credit card is produced, unable to deal with the transaction themselves they rely on a neighbor who can but sadly the card is declined and the customer leaves empty handed, Erol slurps his tea clearly disappointed.

As the urban regeneration inches closer the brothers Atelier is facing an uncertain future, almost half a century of artistry and tradition will no doubt be pushed into the suburbs and slip by wayside, in a world of shopping malls and hipster coffee joints it’s a battle few are left to fight.

To read the full article Notes In The Margin visit Halcyon Magazine

More travel words and photography from Turkey Hasankeyf; The soon to be lost city in Anatolia

If you are feeling social please drop by and say hello on Facebook where I also post more Street Photography images.

 

A funny thing happened to me on the way to the Nabatean Place of High Sacrifice

A funny thing happened to me on the way to the Nabatean Place of High Sacrifice, stop me if you’ve heard this one, it’s a delicate tale and one I can’t help but share.

My journey to the beautiful caravan city of Petra sandwiched between the seas Red and Dead had started in the other great caravan city of Damascus, much of this excursion has already been related in the pages:

Damascus the Beginning of the End (pt2) And In Search of The Pharaohs Penis

So here I am, slurping tea with a Bedouin women named Basma, she offered me another but I respectfully declined, it was already my third, I need to get up to the place of high sacrifice before closing time I explained, she  looked disappointed, an excuse she had clearly heard before,  what I mean before closing time it was my last day and the sun was going down, am pretty sure the business of sacrifice is quite flexible but the golden glow of the suns dying rays would not wait, and, as is always the case with places of high sacrifice it was located on the top of a mountain, I thanked Basma as she stoked her fire and strode off along the Wadi.

I followed the rock cut sandstone steps along an escarpment as it weaved around the base of the mountain, I picked up the pace taking long strides, every so often looking over my shoulder at the view and diminishing sun, it wasn’t steep and had I not been racing would have made a pleasant walk, I passed a few people heading down but pretty much it seemed the mountain was mine.

Hot and sweaty I reached the summit; a pair of pert obelisks were perched on the plateau a testament to long past craftsmanship and worship, curiously it would be much later I would learn of the deities being tributes to the Gods of both strength but also water and fertility, how one may go about paying tribute to those Gods I was soon to learn.

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                                                             Nabatean deities

 

I pranced around the ancient alter for a while enjoying the solitude, then just as I was scrambling down from another somewhat perilous vantage point an old Bedouin woman appeared and offered me tea, as interesting as sacrificial ceremony maybe I much prefer a cuppa and a chat.

A blackened pot was sitting on a pile of flaming kindling, the tea was rancid and I drank while keeping an eye out for chance to tip it away, my host was perhaps not as old as I first thought, her face weather worn, she was a widow she told me and lived in a village the other side of the wadi, she rolled a cigarette and puffed happily, I asked what it was she was smoking but my Arabic was not efficient enough to identify the herbs which she told me she picked on the mountain, I took some pictures and she played me a tune on a metal flute, so far, in my world that is, all quite normal.

The sun was almost finished for the day and my genial host suggested she show me the quick way down the mountain, we kicked dust over the embers of the fire and set off, after no more than a few meters she told me to wait, she stressed I should wait where I was and she dashed behind some bushes, Juniper probably, she reappeared seconds later smoothing down her dress, no explanations necessary I thought and we moved on.

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Leading me down the mountain

Wait, wait she said again, we had only been walking a few minutes, she ducked behind a bush but hardly out of my peripheral vision, I looked skyward to be sure as she dealt with the clearly urgent need, we continued, the route now becoming trickier, clambering over rocks and sliding down clefts in the mountainside, nimble as a goat she hopped and danced from rock to rock, I fumbled and dithered and did my best to keep up, once again she pulled up sharply and this time didn’t bother with modesty and just dropped to her haunches and peed freely, And I do mean freely, not since a mad Friday night in Piccadilly had I seen such wantonness, this is the Middle East and whilst many are hardly religious issues of modesty are rigorous, I was both bemused and amused, we continued, our pace was almost frantic, she deftly dealing with the terrain but me struggling to keep up, she had edged away from me and as I cupped my camera and slid down a gulley she was waiting for me, squatting, dress hitched up and in full flow, how, I marveled, could she produce such quantity, and, I admit, for a few brief seconds I couldn’t help myself but marvel, I mean, what the… she shot me a look, this time I had not looked away and felt for a moment as though I had been caught red handed, she just said yallah and we carried on our way, as if nothing had happened, this was the last time she performed, since that what it seemed to be, the image though is hard to shake off and one that no doubt al-Uzza, Nabatean God of water and fertility would approve, she did though have one more thing to show me.

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A quiet Cave

She took my hand and lead me then into a cave hidden behind some overhanging greenery, I felt pretty sure that if things turned nasty I could handle the old girl, inside the cave she stepped away from me, she looked directly into my eyes, oh God I thought, how is my British politeness going to get me out of this, after an uncomfortable pause that may have lasted several seconds she pointed to the paintings etched into the wall, faded pastel shades of prehistoric art, was there an image of a snake, I wasn’t paying attention, lovely I declared and we exited the cave.

Not enough is written of the risks to white men traveling alone in the Middle East and I have enough stories to fill a book, My Gay Adventures in the Middle East has long been a working title, do feel free to encourage me.

Back in Wadi Farasa we said our goodbyes,  just a few words and formal as you’d expect, I really do not know what just happened are probably the only words going through my mind, I slipped her a few diners for the tea anyway.

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John Wreford Travel Photography

In Search of The Pharaohs Penis

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Like all boys own adventures it has to start with a map, though in this case not a crumpled piece sepia parchment rolled up and tied with a ribbon, no, this was a modern day adventure and by that I don’t mean the map was provided by Google and illuminated on an ipad either, the map was meticulously marked out using the condiments on the table of the Crown Plaza hotel in the Jordanian capital Amman.

A few weeks before Christmas and the hotel lobby was forest of red and silver tinsel, the rain was pouring outside and with Jingle Bells on a loop it seemed more like a Croydon Arndale centre than the Middle East, a stones through from the Holy land, I was sitting with Matthew Teller, a modern day adventurer himself and as it happened author of the Rough Guide to Jordan, he had just returned from the Nabatean kingdom of Petra and had trekked far from the madding crowd and was now passing on his advice; and here he said pushing the tall silver salt cellar to just between the coffee cups is the Zib Faroun, you are kidding I chuckled, the Pharaohs Penis I said translating the Arabic into English, this I wanted to see, we went over the map again and when I thought I had it clear in my mind the waitress cleared it all away, should you need any help Matthew said call this guy, a Bedouin, he lives in a cave near snake monument, I scribbled the number in my note book and we headed back into the pouring rain.

Perhaps not exactly the Holy Grail but a quest it was; two hundred years and four months after the Swiss explorer Johann Ludwig Burckhardt rediscovered the rose-red city I set out through the Bab as Siq (Gate of the Siq) in search of the Pharaohs Penis and other lesser known angles on one of the worlds most iconic treasures.

Petra is vast; most visitors it seems don’t get much further than the iconic façade of the Treasury but venture beyond, sit and talk with the Bedouin, climb the mountains and follow the antique trails deep into the rocky landscape and seek adventure.

Have you seen the Pharaoh’s penis I asked and old Bedouin selling trinkets in cave just below the tomb of a Roman governor named poetically Sextius Florentinus, indeed he had the old Bedouin replied then quickly produced what amounted to a Roman dirty postcard, a clay medallion depicting a scene graphic enough to demand parental guidance, I declined the purchase, the Zib Faroun I asked again, oh its far he said and pointed across the wadi, I clambered down the rocky steps and headed out into the desert and there on the dusty trail leading to Snake Monument was the lone column, it wasn’t as far as the old Bedouin had implied, and, well not that impressive either, just a way marker in Jordan’s extraordinarily long history but as they say its not the destination but the quest that’s important.